We, the Incarcerated Workers Organizing Committee (IWOC), are a prisoner-led section of the Industrial Workers of the World. We struggle to end prison slavery along with allies and supporters on the outside. On September 9, 2016 we were part of a coalition of inside and outside groups that launched the largest prison strike in US history. Resistance to prison slavery continues with work stoppages, hunger strikes and other acts of resistance to business as usual.
But it will take a mass movement - inside and out - to abolish prison slavery. We have hundreds of members in over 15 prisons and our membership continues to grow. We invite all those who agree with our statement of purpose to join us and to start a local group in their prison, city, or trailer park. IWW membership is free to those incarcerated, and is based on income for those on the outside. We ask supporters to sponsor a prisoner’s membership for just $5 a month.
Prison Slavery
Incarcerated people are legally slaves as per the 13th Amendment which abolished “slavery and involuntary servitude, except as punishment for a crime”. We are legally slaves. If you’ve been to prison you’d know we are treated like slaves.
Billions are made annually off our backs. Outrageously priced or grossly inadequate privatized ‘services’ like health care, food, phone calls, assault our humanity - they feed us like animals, suck our families dry, and when sick leave us to die. The government spends as much as an elite college tuition per person to keep each of us incarcerated, but this money does not develop us as human beings, reduce crime or make our communities safer.
They also profit from our labor. At least half of the nation’s 1.5 million of us imprisoned in the United States have jobs yet are paid pennies an hour, or even nothing at all. Many of us perform the essential work needed to run the prisons themselves - mopping cellblock floors, preparing and serving food, filing papers and other prison duties. Others of us work in “correction industries” programs performing work in areas such as clothing and textile, computer aided design, electronics, and recycling activities. Some of us even sub-contract with private corporations such as Sprint, Starbucks, Victoria’s Secret, and many more.
As incarcerated workers, we are some of the most exploited workers in the country. There is no minimum wage for prison labor. The average wage is 20 cents an hour, with some states not paying a wage at all. Up to 80% of wages can be withheld by prison officials. There are very few safety regulations and no worker’s compensation for injury on the job. While in prison, we try to earn money to support our families, ourselves, and pay victim restitution yet these wages prevent us from that. We believe that as workers we are guaranteed the same protections and wages as other workers.
We are working to abolish prison slavery and this system that does not correct anyone or make our communities safer.
Industrial Workers of the World
In addition to abolishing prison slavery, we are also fighting to end the criminalization, exploitation, and enslavement of working class people in general. We are part of the larger
(IWW), a revolutionary union that has been fighting oppressive systems for over one hundred years.
When first founded, the IWW was the only union open to all- regardless of race, gender or nationality. Fierce campaigns waged by miners, dock workers and agricultural workers led to signficant gains in wages and workplace conditions.
Our revolutionary politics and refusal to sell out led to massive and widespread crackdowns by the US government as part of the Red Scare, and beyond.
Despite this, the union persisted and to this day continues to organize for a new world. Like, IWOC, the IWW is seeing a resurgence, with membership steadily growing since 2000.
IWOC’s Statement of Purpose
1. To further the revolutionary goals of incarcerated people and the IWW through mutual organizing of a worldwide union for emancipation from the prison system.
2. To build class solidarity amongst members of the working class by connecting the struggle of people in prison, jails, and immigrant and juvenile detention centers to workers struggles locally and worldwide.
3. To strategically and tactically support prisoners locally and worldwide, incorporating an analysis of white supremacy, patriarchy, prison culture, and capitalism.
4. To actively struggle to end the criminalization, exploitation, and enslavement of working class people, which disproportionately targets people of color, immigrants, people with low income, LGBTQ people, young people, dissidents, and those with mental illness.
5. To amplify the voices of working class people in prison, especially those engaging in collective action or who put their own lives at risk to improve the conditions of all.
Fishburne agreed: “The years that I worked on Pee-wee’s Playhouse, the crews were the most diverse of all the crews I’ve ever worked with, which means there were more people of color behind the scenes, there were more women behind the scenes in nontraditional roles for women. I think it was probably the first time I ever encountered a woman working as a camera assistant or a focus puller, and I was really impressed by that, and obviously that was down to Paul.”
For Singleton, who died in 2019, “being 19 years old and having that be my first introduction into production was a godsend because I didn’t feel alienated at all working on that set,” he said in the featurette. “I didn’t feel like I was out of place at all. I felt like I was really a member of a family, even at my small job being a security guard-slash-PA. I felt like I was part of a family working on Pee-wee’s Playhouse.”
Darren Barrenman is a hapless dreamer and would-be philosopher who spends his days looking after the pool of the Tahitian Tiki apartment block in sunny Los Angeles and crashing city council meetings with his neighbors Jack and Diane. When Barrenman uncovers the greatest water heist in LA history since Chinatown he makes uneasy alliances with a beautiful and connected femme fatale while following every lead he can with corrupt city officials, burned out Hollywood types, and mysterious benefactors - all in the name of protecting his precious Los Angeles.
CHRIS PINE as Darren Barrenman in Poolman (2023) dir. CHRIS PINE
In attempting to find the release date for this, I discovered the “jack and diane” characters are played by danny devito and annette bening, so now i really am dying to see this
Whenever people try to tell me to ship “moral ships” I like to think about how inherently immoral it is to flirt with service workers at coffee shops where they’re obliged to be nice to you so… many coffee shop AUs are like. Immoral. But given that they are a fantasy where this is instant romance without the fear of trapping a service worker in an uncomfortable situation that’s tantamount to workplace sexual harassment, I enjoy the cutesy coffee shop AUs immensely.
And that’s basically my attitude towards all fantasy. There’s lots of things I enjoy in fantasy that wouldn’t work IRL. Enemies to lovers. Sudden kisses. Miscommunications in relationships. Codependency. Fight sluts who physically assault each other while emotionally connecting.
Once you start ascribing your morals to the fiction you consume, you tend to miss the issues in even the most innocuous, innocent seeming scenarios. It’s easy to judge other people’s fictional enjoyment until someone points out your innocent coffee shop AU is romanticised workplace harassment.
But it’s all fiction. It’s a fantasy. That’s why it’s fine.
A lack of education around things like consent, healthy relationships, self respect and respect of others, bodily autonomy, etc, has made people think they can rely only on fiction to tell them what right - but that’s dangerous. And unsustainable.
The Black Guy Dies First: Black Horror from Fodder to Oscar will be published on February 1, 2023 via Saga Press. It’s written by Horror Noire author Robin R. Means Coleman and Black Horror Movies’ Mark H. Harris.
The 288-page nonfiction book explores the Black journey in horror cinema. It will be available in paperback and e-book. The synopsis is below.
I thought the whole “we’re gonna use AI to write shows and movies and pay you garbage wages to fix the scripts” was vile, but “we want to scan background actors and then OWN THEIR LIKENESS TO USE IN PERPETUITY DESPITE PAYING THEM FOR ONLY A SINGLE DAY’S WORK” is just…
I don’t have words for this. There are no words that capture the sheer revulsion I felt at reading that actual, real fucking offer from the AMPTP.
This is an experiment to see if there really are as few of us as people think.You can also use this to freak out your followers who think you’re 25 or something. Yay!
Creative crafty flow is back! Got sucked into a four hour hyper focus session making a little creature. It’s handy to have materials on hand, sewing...
